E s s a y




- KOTO - koto -



I wonder who on earth it was who first stretched

a string across a piece of wood and plucked it to

produce a sound since the world of people beganc

It had to have been "Peking Man" I tell myself.

That is what was the very beginning, the headwaters,

of the koto that I love today.



Was that string the tendril of a dry plant? During

a time when there were no other sounds produced other

than those of the natural world; birds and wild animals

crying out or the wind moaning as it wove its way

through the treescI wonder what sort of sound it was.

The source sound of this koto that rang out in a peaceful

world lacking the clamor of human sound and speech or the

noise of towns and machinery. And, how did the natural world,

where trees sigh, respond? When my koto is before me, what

crosses through the edges of my mind is the sound from that time.



It is said that it has been over 3000 years since the basic

form of today's koto came into being: A piece of wood was given

a resonant body, took on the shape of an instrument with strings

formed from bundles of silk thread woven from silk cocoons (in China).

Today, human knowledge is bringing about development and evolution

in countless areas, but for me, it is the instrument that came to

be called koto, that first released its sound 3000 years ago, that

speaks so passionately to me.



I feel a deep-seated yearning to capture the countless and myriad

sounds that this unpretentious instrument of wood has released

into the universe from primitive times to the present, along with

the thoughts of the people bequeathed with these individual sounds.


Kazue Sawai